Why are some men born 

with minds that earn degrees
the loving cups
gilded plaques
grace their study walls
hide the cracks
while their genius is turned
to works of tyranny then
off to market to market
go selling these

With words so fiery and persuasive
they steal cunningly
riches no one can exceed

And why are some men born
with a fate of poverty
one firm bed
for a swollen back
year by year
the bodies wracked while
their obedience is had
with gradual defeat
by the pace by the pace
and the urgency

through a muddled thought
they phrase it
God knows we're deceived
barter for
what they need

And where they go
disdain and jeering
for fools to call
the noble peasantry

O how it puzzles me

I pressed flat the accordion pleats
that had gathered in his cotton sleeves
while he thumbed
yes thumbed I wouldn't say caressed

The final piece
a mountain's crest
soon to reply assuredly

O for man aged ninety years
no words to waste on sermons
he'd be pleased to answer
short and sincere

Girl there's a nonsense
in all these heaven measures
it's a heathen creed
so your grandma says
but better to live by...
drink it all in before it's dry

He ended there with a rattle
cough cough
I took away the long gone cold coffee cup
as a trail of Camel ashes fell
on the floor


[ Spoken intro from: Women's Diaries of the Westward Journey (byLillian Schlissel) ]


"While the young folks were having their good times
some of the mothers were giving birth to their babies.
Three babies were born in our company that summer.
My cousin, Emily, gave birth to a son in Utah,
forty miles north of the Great Salt Lake one morning.
But the next morning she traveled on
'til noon when a stop was made and another child was born,
this time Susan Mollmeyer.
And gave the baby the name Alice Nevada."

Follow the typical signs, the hand-painted lines, down prairieroads.
Pass the lone church spire.
Pass the talking wire from where to who knows?
There's no way to divide the beauty of the sky from the wildwestern plains.
Where a man could drift, in legendary myth, by roaming overspaces.
The land was free and the price was right.

Dakota on the wall is a white-robed woman, broad yet maidenly.
Such power in her hand as she hails the wagon man's family.
I see Indians that crawl through this mural that recalls ourhistory.

Who were the homestead wives?
Who were the gold rush brides?
Does anybody know?
Do their works survive their yellow fever lives in the pages theywrote?
The land was free, yet it cost their lives.

In miner's lust for gold, a family's house was bought and sold,piece by piece.
A widow staked her claim on a dollar and his name, sopainfully.
In letters mailed back home her Eastern sisters
they would moan as they would read accounts of
madness, childbirth, loneliness and grief.